Wednesday, December 4, 2013
The festival was the brainchild of Lola Shoneyin, who (as described by Olakunle Kasumu) dreamt it, said it, and did it. There are many other festivals in Nigeria, of course, Lagos and Port Harcourt being among the biggest. But none has attracted the international line-up of Ake. Most of us would agree that we were there because of Lola: Binyavanga Wainaina, Eghosa Imasuen, Toni Kan, A Igoni Barrett, Teju Cole, Chibundu Onuzo, Pius Adesanmi, Molara Wood, to name a few.
Friday, November 8, 2013
Marta Tveit is furious about the seeming popularity of the term "Afropolitanism" in African discourses.
"Fronting a constructed group identity such as the ‘Afropolitan’ backs-up a reductive narrative of Africa and the African, which in turn continues to be an important part of neocolonial power structures. As an individual who happens to have one parent from the African continent I am offended by being put in a group and perceived to have certain interests and affiliations because of the nationality of one of my parents."
I love how Ms Tveit plays with the title of Selasi's novel, Ghana Must God. It does appear to me, though, that Tveit has engaged in a reductive, uberfurious, Binyanwangan reading of Selasi's richly nuanced essay. Selasi herself is not brown. She is a mutt - being Yoruba and Ghanaian (excuse my ignorance of her father's ethnicity). There is also a cultural element of Selasi's Afropolitanism that her critics woefully ignore. Anyway, Afropolitanism has come to stay, dear Ms Tveit.
Friday, November 1, 2013
"Reflecting on her literary studies, she says she looks up to African writers who "make sense of our space in the literary universe" but she does not feel a strong sense of positioning herself in the canon. "I feel responsible to the real stories on the ground. That’s what I’m doing."
You've got to love this. I think it's time that African writers started telling stories of people they know rather than waste their time reacting to the (imaginary) gaze of the white man.
Oh, see also.
The Caine Prize has been criticised for creating what Helon Habila has called an “African aesthetic of suffering”, for “performing Africa” for the world. What are your thoughts on this?
"I think that’s nonsense. Writers write about what moves them and it’s just a coincidence that the kinds of stories that get told seem to be about one thing. I think there’s also a shallowness in readers reducing stories based on things that they see. I feel like people need to read beyond this. I’m hard-pressed to talk about stories other than my own but Darling, for example, is such a rich character and she shouldn’t be judged by her space; she has so much humanity. Beyond that, I feel like some of these things are simply realities."